Companions

Excellent dark fantasy about three women trapped in a medieval castle under siege. It reminded me a bit of Tanith Lee - it's very lush and decadent in parts - and a bit of The Everlasting. Fantastic female characters with really interesting relationships. The language is not strictly medieval-accurate but a lot of the characters' mindsets are, which is fun.

All I knew going in was that it was medieval, female-centric, and involved cannibalism. This gave me a completely wrong impression, which was that it was a sort of female-centric medieval Lord of the Flies in which everyone turns on each other under pressure and starts killing and eating each other. This is very nearly the opposite of what it's actually about, though there is some survival-oriented eating of the already-dead.

The three main characters are Phosyne, an ex-nun and mad alchemist with some very unusual pets that even she has no idea what they are; Ser Voyne, a female knight whose rigid loyalty gets tested to hell and back; and Treila, a noblewoman fallen on hard times and desperate to escape. The three of them have deliciously complicated relationships with each other, fully of shifting boundaries, loyalties, trust, sexuality, and love.

At the start, everyone is absolutely desperate. They've been trapped in the castle under siege for six months, the last food will run out in two weeks, and help does not seem to be on the way. Treila is catching rats and plotting her escape via a secret tunnel, but some mysterious connection to Ser Voyne is keeping her from making a break for it. Phosyne has previously enacted a "miracle" to purify the water, and the king is pressuring her to miraculously produce food; unfortunately, she has no idea how she did the first miracle, let alone how to conjure food out of nothing. Ser Voyne, who wants to charge out and fight, has been assigned to stand over Phosyne and make her do a miracle.

And then everything changes.

The setting is a somewhat alternate medieval Europe; it's hard to tell exactly how alternate because we're very tightly in the POV of the three main characters, and we only know what they're directly observing or thinking about. The religion we see focuses on the Constant Lady and her saints. She might be some version of the Virgin Mary, but though the language around her is Christian-derived, there doesn't seem to be a Jesus analogue. The nuns (no priests are ever mentioned) keep bees and give a kind of Communion with honey. Some of them are alchemists and engineers. There is a female knight who is treated differently than the male knights by the king and there's only one of her, but it's not clear whether this is specific to their relationship or whether women are usually not allowed to be knights or whether they are allowed but it's unusual.

This level of uncertainty about the background doesn't feel like the author didn't bother to think it out, but rather adds to the overall themes of the book, which heavily focus on how different people experience/perceive things differently. It also adds to the claustrophobic feeling: everyone is trapped in a very small space and additionally limited by what they can perceive. The magic in the book does have some level of rules, but is generally not well understood or beyond human comprehension. There's a pervasive sense of living in a world that isn't or cannot be understood, but which can only be survived by achieving some level of comprehension.

And that's all you should know before you start. The actual premise doesn't happen until about a fourth of the way into the book, and while it's spoiled in all descriptions I didn't know it and really enjoyed finding out.

Spoilers for the premise. ( Read more... )

Spoilers for later in the book: ( Read more... )

Probably the last third could have been trimmed a bit, but overall this book is fantastic. I was impressed enough that I bought all of Starling's other books for my shop. I previously only had The Luminous Dead, which I'm reading now.

Content notes: Cannibalism. Physical injury/mutilation. Mind control. A dubcon kiss. Extremely vivid descriptions of the physical sensations of hunger and starvation. Phosyne's pets do NOT die!

Feel free to put spoilers for the whole book in comments.

Five high school friends go on a camping trip and find a mysterious staircase in the woods. One of them climbs it and vanishes. Twenty years later, the staircase reappears, and they go to face it again.

I loved this premise and the cover. The staircase leading nowhere is spooky and beautiful, a weird melding of nature and civilization, so I was hoping for something that matched that vibe, like Annihilation or Revelator.

That was absolutely not what I got. The Staicase in the Woods is the misbegotten mutant child of It, King Sorrow, and Tumblr-speak. Every single character is insufferable. The teenagers are boring, and the adults are all the worst people you meet at parties. There are four men and one woman/nonbinary person, and she/they reads exactly like what MAGA thinks liberal women/trans people are like -- AuHD, blue hair, Tumblr-speak, angry, preachy, kinky sex etc. She/they says "My pronouns are she/them," then is only ever referred to as she and a woman. The staircase itself is barely in the story, where it leads is a letdown, and the ending combines the worst elements of being dumb and unresolved.

I got partway in and then skimmed because I was curious about the staircase and the vanished kid.

Angry spoilers for the whole book.

( Read more... )