ceitfianna | Reading

The last of the four Hugo Best Novel nominees I read (I did not get around to Service Model or Someone You Can Build A Nest In) was A Sorceress Comes to Call, which ... I think perhaps I have hit the point, officially, at which I've read Too Much Kingfisher; which is not, in the grand scheme of things, that much. But it's enough to identify and be slightly annoyed by repeated patterns, by the type of people who, in a Kingfisher book, are Always Good and Virtuous, and by the type of people who are Not.

A Sorceress Comes to Call is a sort of Regency riff; it's also a bit of a Goose Girl riff, although I have truly no idea what it's trying to say about the original story of the Goose Girl, a fairy tale about which one might have really a lot of things to say. Anyway, the plot involves an evil sorceress with an evil horse (named Falada after the Goose Girl horse) who brings her abused teen daughter along with her in an attempt to seduce a kindly but clueless aristocrat into marriage. The particular method by which the evil sorceress abuses her daughter is striking and terrible, and drawn with skill. Fortunately, the abused teen daughter then bonds with the aristocrat's practical middle-aged spinster sister and her practical middle-aged friends, and learns from them how to be a Practical Heroine in her own right, and they all team up to defeat the evil sorceress mother and her evil horse. The good end happily, and the bad unhappily. At no point is anybody required to feel sympathy for the abusive sorceress mother or the evil horse. If this is the sort of book you like you will probably like this book, and you can stop reading here.

( ungenerous readings below )

umadoshi

Over the last...several months?...

wildpear introduced Pumpkin and (to different extents) a couple of other teenagers to Fruits Basket. Pumpkin got the double anime experience, starting with the 2001 anime and then going on to the 2019 anime, and while they were still working their way through the latter, they also restarted it to show it to two different people, including M, Pumpkin's agemate among our local friends' kids. Throughout,

wildpear texted me intermittent reaction updates, which was a delight.

Now that they're all finished (on the anime front),

wildpear brought Pumpkin and M over for an intergenerational fandom yard hangout last week! (Of the 2001 anime, M has only seen the very ending, in a sort of "must know what the horror actually is". For anyone who doesn't know, the original anime is mostly really charming and has a lot going for it, with most of its weaknesses being pretty understandable given when it was made and where the manga was at that point, but its ending is a straight-up travesty and an abomination.)

Jumping ahead a bit: you may notice the absence of the manga in the above, which has now been resolved! I initially had been like, "Well, I have a lending set, and its day has come!", but by the time the visit actually happened and I'd unearthed said set (a combination of the five 2-in-1 hardcover volumes Tokyopop managed to release, and the rest of the series in the standard Tokyopop edition), I'd talked sense into myself and decided to make it a gift instead. I'm not actually sure the lending set had ever gone out of the house (other than

wildpear, the only person who'd ever read my hard copy was my sister, and that predated the lending set, IIRC), and I didn't honestly need four sets* in the house, even if one of them is in Japanese. So that box has gone off into the world, and while I warned everyone that manga spines aren't as sturdy as anyone would like, they don't have to worry about keeping the books pristine for me.

Anyway! Seeing the three of them was lovely. ( cut! )

Current Mood: nostalgic
Current Music: YANTA - Girl (Tori Amos instumental cover)

bjornwilde posting in

ways_back_room

Your character is now tied up with all day training.

How do they feel about this?

rachelmanija

13-year-old Hannah, who lives on a tiny island off Seattle, is excited for her first babysitting job. Then a giant earthquake hits, cutting the island off from the mainland... and leaving Hannah alone in charge of two kids in a devastated landscape.

Hannah is not having a good day. She was recently diagnosed with asthma, forcing her to drop out of soccer and always carry an inhaler. Her best friend Neha, a soccer star, is now hanging out more with another soccer girl than with Hannah. Hannah forgets to bring her inhaler with her to school, and her mom doesn't turn around the car to get it as Hannah is desperate not to be late. When she arrives for her babysitting job after school, minus her inhaler (no doubt looming ominously on the mantelpiece at home, along with Chekhov's gun), she gets in a huge fight with Neha over text and the girls say they no longer want to be friends...

...just as a giant earthquake hits! Hannah gets her charges, Zoe and Oscar, to huddle under a table (along with their guinea pig) and no one is injured. But the windows break, the house is trashed, and the power, internet, and phones go out. The house is somewhat remote, an all-day walk from the next house. What to do?

Hannah is a pretty realistic 13-year-old. She's generally sensible, but makes some mistakes which are understandable under the circumstances, but have huge repercussions. She enlists the kids to help her search for her phone in the wreckage of the house, and Zoe immediately is severely cut on broken glass. The kids freak out because their mom (along with Hannah's) is on the mainland, and Hannah calms them down by lying that she got a text from their mom saying that she's fine and is coming soon. The next morning, she lets Oscar play on some home playground equipment. Hannah checks the surrounding area, but doesn't check the equipment itself. It's damaged and breaks, and Oscar breaks his leg. So by day one, Hannah is having asthma attacks without her inhaler, Zoe has one arm out of commission, Oscar is totally immobilized, and there's no adults within reach.

Well - this is a HUGE improvement on Trapped. It's well-written and gripping, the events all make sense, and the characterization is fine. It was clearly intended to teach kids what can happen during a big earthquake and how to stay as safe as possible, and the information presented on that is all good.

But - you knew there was a but - as an enjoyable work of children's disaster/survival literature, it falls short of the standards of the old classic Hatchet and the excellent newer series I Survived.

The basic problem with this book is that it has a very narrow emotional range. For the entire book, Hannah is miserable, guilty over her friend breakup and the kids getting hurt, worried about her parents, and desperately trying to keep it together. The kids get hurt so seriously so early on that they never have any fun. Even when Hannah tries to feed them S'Mores to cheer them up, nobody actually likes them because they're not melted!

The I Survived books have much more variety of emotional states and incidents, as typically the actual disaster doesn't happen until at least one-third of the way into the book. The kids have highs and lows, fun moments and despairing moments and terrifying moments. This book is all gloom all the time even before the disaster! Hannah eventually saves everyone, is hailed as a hero, and repairs her friendship, but we don't get that from her inner POV - it's in a transcript of a TV interview with her.

The information provided in the book is very solid, but I would have preferred that it didn't have BOTH kids get injured because of something Hannah does wrong. (That is not realistic! ONE, maybe.) It also would have been a lot more fun to read if the kids' injuries were either less serious or occurred later. The situation is desperate and miserable almost immediately, and just stays that way for the entire book.

Still, there's a lot about the book that's good and there should be an entertaining book that provides earthquake knowledge, so I'm keeping it. But I'm not getting her other book about two girls lost in the woods.

skygiants

Obviously this is officially old news now but of the novels on the Hugo ballot [that I read], the one I personally would have best like to see win is Adrian Tchaikovsky's Alien Clay -- in contrast to The Tainted Cup, which felt to me like a novel of craft but not ideas, Alien Clay felt like a book where the science fiction worldbuilding on display was really skillfully and inventively married to the broader themes and ideas that Tchaikovsky wanted to explore in the book.

Alien Clay is a science fiction gulag novel; the protagonist, Anton Daghdev, is a dissident academic who's been life-sentenced to work on one of the few planets reachable by humans so far discovered to harbor alien life -- and, as Daghdev learns when he arrives, even possible evidence of ancient alien civilizations, though none of the planet's present inhabitants seem particularly sentient.

Pros:
- Daghdev has devoted his life to the alien studies and now he has the opportunity to do the most compelling, cutting-edge work in the field!
- also, unlike the other two options, Kiln's atmosphere will not immediately kill a human experiencing it without protective gear

Cons:
- it's a gulag
- with a correspondingly high fatality field fatality rate
- many of the other people in the gulag, arrested before Daghdev, are suspicious that he might have been the one that sold them out to the regime
- although Kiln's atmosphere will not IMMEDIATELY kill a human without protective gear, Kiln's weird, vibrant and enthusiastic ecosystem is extremely eager to find a foothold inside human biology, and what happens to the human body after it becomes exposed to Kiln's various [diseases? symbionts? parasites? TBD] seems Extremely Unpleasant
- and -- perhaps worst of all -- a major cornerstone of the regime's philosophy is the notion that humanity is the highest form of life in the universe, and all alien life will, eventually, by divine destiny, tend inevitably towards a bipedal humanoid form, which means that all the compelling, cutting-edge scientific research that's being performed on Kiln will inevitably be warped and transformed into a shape that suits the regime before anyone else can ever see it

Through the course of the book, Daghdev's attempts to figure out what's going on with the Kiln aliens and their hypothetical and hypothetically-vanished Civilization-Building Precursors on a planet that seems antithetical to human life intertwines with his attempt to survive and find solidarity in a penal colony that seems, well, antithetical to human life. I think readers will probably vary on how relatively depressing they find this experience.

rachelmanija thought it was pretty bleak; meanwhile,

genarti was impressed by how fun it was to read, All Things Considered. I'm more of

genarti's mind on this one -- for me, Daghdev's own profound intellectual fascination with the world of Kiln counterbalanced the grimness of the gulag and gave even the most depressing parts of the book a needed spark -- but I do think it really depends on personal taste and calibration. Either way, the whole thing ends in a one-two punch of a solution that I found really satisfying on both a speculative-biological and thematic level.

splash_of_blue posting in

ways_back_room

Afternoon all!

Sorry I missed last Monday.

Spider-Man has "With great power comes great responsibility." The Thing has "It's clobberin' time!" (even if he'd rather he didn't). Wolverine has "Snikt!". (Okay, okay, technically he's got "I'm the best there is at what I do... but what I do best isn't very nice.") Timon and Pumbaa, of course, have "Hakuna Matata".

What is (or would be) your character's motto or catchphrase?

umadoshi

Reading:

scruloose and I finished listening to Artificial Condition and have started Rogue Protocol (but only barely--we've listened to however much of chapter 1 we could get in over supper on Friday before

scruloose had to be doing something else).

We'll Prescribe You a Cat (Syou Ishida) was a very quick read and hard for me to pin down. It's a story in the vein of "~mysterious~ place provides X [often wishes granted or strange/deadly creatures, as in xxxHOLiC or Pet Shop of Horrors], but the actual cats being prescribed mostly appear to be just ("just") cats. I think this is the first in a series. Alas, I find the prose of the translation awfully flat, and can only hope I would've found the book more engaging in different hands.

I also read The City in Glass, which was my first time reading Nghi Vo. Gorgeous prose, a neat concept, and a great read overall.

Watching: We're six episodes into The Summer Hikaru Died (which is, I suppose unsurprisingly given the premise, touching on a significant existential question from Newsflesh [and from plenty of other places]). It continues to be very good. ^_^

I think we also saw an ep. of Silo sometime last week.

And on Friday I started watching Glass Heart on my own. As so often turns out to be the way, choosing it from my horrifying to-watch list was mostly random. Sometimes the choice is made simply because something is short (ten episodes, in this case) and I've seen several friends talking about it very recently. I'm six episodes in now.

I knew going in that Machida Keita is in it (who I knew only from Cherry Magic). I did not know in advance that Satoh Takeru is one of the leads, and then couldn't place him until I caved and looked up the cast. (He played Kenshin in the live-action Rurouni Kenshin movies [of which I've still only seen the first], and was impossibly good in the role. I keep meaning to rewatch the first and watch the others, despite my feelings about the franchise overall being irrevocably poisoned now by the horrible revelations about the creator. I still need to offload my set of the manga. >.<)

Weathering: The drought continues. Parts of the province are on fire, although the uncomfortably-close-to-me wildfire is under control, last I heard.

Planning: We don't have tickets yet, because there aren't yet showtimes for it, but the plan is to see Dongji Rescue late in the week. *fidgets*

Current Mood: tired

rachelmanija

Of the MANY bait-and-switch books I've been tricked into reading, this takes the prize for the biggest switch. The back cover says it's about a single mom carpenter who builds a tiny house for herself and her daughters to live in. The title is about tiny houses. There is a tiny house on the cover. I read the book because I thought it would be about building a tiny house.

The book is actually about the events leading up to her building the tiny house. She doesn't build the tiny house until the LAST CHAPTER. It takes up about four pages.

rachelmanija

Seven teenagers get trapped in their high school during a blizzard when they miss the bus that evacuated the rest of the school.

This was easily the worst book I've read all year, and I've read some doozies. I read it because I'd bought a copy for the shop for the niche of "children's/younger YA survival books for kids who've already read all of Gary Paulson and "I Survived."" I am going to return it to the publisher (Scholastic, which should be ashamed of itself) forthwith, because it is AWFUL.

Why is this book so bad?

1. It's incredibly misogynist. The narrator, Scotty Weems, is constantly thinking of girls in a gross, slimy, objectifying way.

The two girl characters, who get trapped in the high school along with five boys, never do anything useful. One's entire personality is "hot" and every time she's mentioned, it's with a gross leering description of her body. The other girl's entire personality is "hot girl's friend."

2. The characters have exactly one characteristic each, and even that one often gets forgotten, to the extent that I kept mixing up "normal boy" with "mechanically inclined boy." The others are "dangerous boy" and "weird boy." The latter gets downgraded to "not actually weird, just funny" (as in makes one supposedly humorous comment once.) We get no insight into them, their backstories, their home lives, etc, because none of them ever really talk to each other about anything interesting despite being trapped together for a week!

3. SO MANY gross descriptions of pimples, peeing, and pooping.

4. The book is boring. No one does anything interesting on-page until the second to last chapter, when it FINALLY occurs to Scotty to make snowshoes. Most of the book is Scotty's inner monologue about pimples, pooping, peeing, and hot girls. The kids barely interact!

5. The kids keep saying that help won't come because no one even knows they're missing, but that makes no sense. Every single one of them was supposed to get picked up. It's never explained why SEVEN DIFFERENT FAMILIES wouldn't notice that their kids never came home.

6. The incredibly contrived scene where Best Friend Girl comes staggering in screaming and disheveled, repeating, "Les, Les!" This is the name of Dangerous Boy. One of Indistinguishable Boys assumes Les sexually assaulted her and runs out and attacks Les. Best Friend Girl recovers enough to explain that she went to a room and it was dark and cold and she got lost, and she was trying to say there was LESS light and heat there. Because that's what you'd naturally gasp out when freaking out, instead of, say, "Dark! Cold!"

I feel like the existence of this scene in a PUBLISHED BOOK lowered the collective intelligence of the universe by at least half a point.

7. No interesting use is made of the school setting. The kids open their own lockers to get extra clothes and snacks, find pudding and canned peaches in the cafeteria, and spend the rest of the time silently huddled in classrooms, occasionally checking their useless cellphones that don't have any signal. Toward the end, they start a fire, and then, OFF-PAGE, construct a snowmobile (!).

Things they don't do: Break into other kids' lockers in the hope of finding useful stuff. Attempt to cook the cafeteria food. Search the library for survival tips. Get mats from the gym so they're not sleeping on freezing floors. Search classrooms and the teacher's lounge for useful stuff. Have a pick-up ball game to keep warm. Find ways of entertaining themselves without cell phones. HAVE GETTING TO KNOW YOU CONVERSATIONS - WHAT IS THE POINT OF DOING THE BREAKFAST CLUB WITHOUT THIS?

Spoilers! ( Read more... )

Truly terrible.

ETA: I just discovered that it went out of print soon after I purchased it (GOOD) and so is not returnable (DAMMIT).

petra

I'm not the world's most passionate guy (1559 words) by Petra
Chapters: 1/1
Fandom: Community (TV)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Pierce Hawthorne & The Study Group, Pierce Hawthorne & Craig Pelton
Characters: Pierce Hawthorne, Craig Pelton, Britta Perry, Shirley Bennett
Additional Tags: Genderqueer Character, Canon-Compliant Pierce Hawthorne, Genderqueer Pierce Hawthorne
Summary:

Pierce experiments with his gender.

*

I read a Tumblr post (linked as inspiration) about trans headcanons that cited a character named Pierce. I don't know who they were talking about, but in my heart, they were talking about this asshole.

Possible alternate tag: Queer and Woke are Not Synonyms

Current Mood: somewhere out there
Current Music: And so is Lola

rachelmanija

A Neanderthal from an alternate universe where Homo Sapiens went extinct and Neanderthals lived into the present day is sucked into our world due to an experiment gone wrong. The book follows his interactions with humans in one storyline, and the repercussions in Neanderthal World in another.

I picked up this book because I like Neanderthals and alternate dimensions that aren't about relatively recent history (ie, not about "What if Nazis won WWII?"). The parts of the book that are actually about Neanderthal World are really fun. It's a genuinely different society, where men and women live separately for the most part, surveillance by implanted computers prevents most crime, mammoths and other large mammals did not go extinct, there are back scratching posts in homes, they wear special eating gloves rather than using utensils or eating barehanded, etc. This was all great.

The problem with this book was everything not directly about Neanderthal society. Bizarrely, this included almost the entire plotline on Neanderthal World, which consisted of a murder investigation and trial of the missing Neanderthal's male partner (what we would call his husband or lover), which was mostly tedious and ensured that we see very little of Neanderthal society. The Neanderthal interactions on our world were fun, but the non-Neanderthal parts were painful. There is a very graphic, on-page stranger rape of the main female character, solely so she can realize that Neanderthal dude is not like human men. There's two sequels, which I will not read.

It got some pretty entertaining reviews:

"☆☆☆☆☆1 out of 5 stars.
No. JUST NO.
I am sorry, but the premise of inherently and innately peaceful cultures with more advanced technology than conflict-driven cultures is patently absurd. Read Alistair Reynolds' Century Rain for an examination of how technological advancement depends on strife: necessity is the mother of invention, and the greatest necessity of all is fighting for survival. I will not be lectured for my male homosapien hubris by a creature that would never have gotten past the late neolithic in technology."

Hominids won a Hugo! Here are the other nominees.

1st place: Hominids by Robert J. Sawyer (Canadian)
2nd place: Kiln People by David Brin (American)
3rd place: Bones of the Earth by Michael Swanwick (American)
4th place: The Scar by China Miéville (British)
5th place: The Years of Rice and Salt by Kim Stanley Robinson (American)

Amazingly, I have read or attempted to read all of them. My ratings:

1st place: Bones of the Earth by Michael Swanwick (American)
2nd place: The Scar by China Miéville (British).
3rd place: The Years of Rice and Salt by Kim Stanley Robinson (American)
4th place: Hominids by Robert J. Sawyer (Canadian)
5th place: Kiln People by David Brin (American)

If I'd voted, it would be very close between Bones of the Earth and The Scar, both of which I loved. I made a valiant attempt at The Years of Rice and Salt. Like all of KSR's books, I'm sure it's quite good but not for me. I know I read Kiln People but recall literally nothing about it, so I'll give Hominids a place above it for having some nice Neanderthal stuff.

The actual ballot is a complete embarrassment.

skygiants

Last week I was on vacation at Beth's family cottage, which normally would mean that I'd be reading a battered paperback. HOWEVER instead I was racing to finish Secondhand Time: The Last of the Soviets due to the unfortunate fact of it being triply overdue at the library.

A useful and worthwhile book; a compelling and depressing book; not, perhaps, an ideal vacation book, but so it goes. The book is composed of oral histories conducted by Alexievich in the years between 1991 and 2012 with various inhabitants of the Former Soviet Union. Alexievich is particularly interested in suicides, and several of the interviews/chapters circulate around people who knew or were close to people who took their own lives after the fall of communism; several others focus on people who were living in areas of the former Soviet Union where the end of the USSR led immediately to ethnic or nationalistic violence.

Many of the oral histories follow a pattern that goes

a. [recounting of an absolutely horrific personal-infrastructural tragedy or example of human cruelty that happened under Stalin]
b. but at least we had ideals
c. And Now We Have This Fucking Capitalism Instead And It's Not A Good Trade

and many others go

a. under socialism in [location] they said we were all brothers and I believed it
b. and suddenly overnight that changed and I will be forever haunted by the things I've seen since

Alexievich recounts the oral histories more or less as if they're dramatic/poetic monologues -- usually monologues of despair -- removing herself and the circumstances under which they were conducted almost entirely, except for a very occasional and startling interjection to make a point. (One oral history, of the horrific-things-happened-but-we-believed variety, is intermittently interrupted by anekdoty from the interviewee's son; Alexievich comments that no matter what she asked him, he only ever responded with a joke.) Some sections are compendiums of conversation gathered in a location, at a party or in a marketplace, sliding past each other montage-style. As a literary conceit, it's very effective, but I found myself wishing sometimes that it was a little less literary. It's rare that I read a nonfiction book and want the author to be putting more of themself into the narrative, rather than less, but I wanted to know what questions she was asking. That said, for various reasons, I'm considering buying a copy.

chanter1944

Anybody else getting persistent SSL handshake failure errors when trying to visit AO3? Or is it just me? The issue's been popping up randomly for the last week or two, but today it's near-constant, if not entirely so.

bjornwilde posting in

ways_back_room

One more sleep until Friday.

Does your character actively read the news or just comes across it from time to time?

rachelmanija

This is one of the most unusual books I've ever read. And if you've been reading my reviews for a while, you know what a strong statement that is. Here's the buries-the-lede back cover:

The town's teenagers are dying. One by one they are mysteriously disappearing but Meggie Alexander refuses to wait in fear. She and her boyfriend Matthew decide to get to the bottom of all the strange goings-on. And they discover a horrible secret.

Now someone is stalking them - but who? There's only one thing that can save Meggie now - the stories a tarantula told her as a baby.

Bet you weren't expecting that, huh?

This was a Scholastic novel from 1988. I'd seen other Thomas novels in that period but never read them, because they all looked like depressing historicals about the black experience - the one I recall seeing specifically was Touched by Fire. I sure never saw this one. I found it in the used children's section of The Last Bookstore in downtown LA.

Any description of this book won't truly convey the experience of reading it, but I'll give it a shot. It starts with a prologue in omniscient POV, largely from the POV of a talking tarantula visiting Meggie soon after she's born, chatting and spinning webs that tell stories to her:

"I get so sick and tired of common folk trying to put their nobody feet on my queenly head. Me? I was present in the first world. Furthermore," the spider boasted, squinting her crooked eyes, "I come from a looooong line of royalty and famous people. Millions of years ago I saw the first rainbow. I ruled as the Egyptian historical arachnid. I'm somebody."

As I transcribe that, it occurs to me that she shares some DNA with The Last Unicorn's butterfly.

The prologue ends when Meggie's mother spots the spider and tries to kill her, believing her daughter is in danger. Chapter one opens when Meggie is fifteen. Briefly, it feels like a YA novel about being black and young in (then)-modern America, and it kind of is that, except for the very heightened writing style, including the dialogue. Thomas is a poet and not trying to write in a naturalistic manner. It's often gorgeous:

She ended [the sermon] with these resounding words falling quiet as small sprinklings of nutmeg whispering into a bowl of whipping cream.

The milieu Meggie lives in is lived-in and sharply and beautifully drawn, skipping from a barbershop where customers complain about women preaching to a quick sketch of a neighborhood woman trying to make her poor house beautiful and not noticing that its real beauty lies in her children to Meggie's exquisitely evoked joy in running. And then Meggie finds the HEADLESS CORPSE of one of her classmates! We check in on a trio of terrible neighbors plotting to do something evil to the town's teenagers! The local spiders are concerned!

This book has the prose one would expect to find in a novel written by a poet about being a black teenager in America, except it's also about headless corpses and spider guardians. It is a trip and a half.

( Read more... )

I am so glad that Thomas wrote this amazingly weird novel, and that someone at the bookshop bought it, and that I just happened to come in while it was on the shelf. It's like Adrian Tchaikovsky collaborated with Angela Johnson and Lois Duncan. There has never been anything like it, and there never will be again. Someone ought to reprint it.

thebattycakes posting in

ways_back_room

Hello folks, it's Wednesday and I'm here with your DE.

Today's DE:

Would your pup ever go skydiving?

rachelmanija

Zoe Ardelay and her father have lived in exile in a small village since he, a former courtier, had an argument with the king. At the opening of the book, her father has just died of natural causes. Then Darien, the king's advisor, shows up and announces that Zoe has been chosen as the king's fifth wife. Zoe, immersed in the drifting, passive phase of grief, sets out with him for the capital city she hasn't seen since she was a child. The story does not go in any of the expected directions after that, starting with the conveyance they use to get there: a new invention, a gas-powered automobile.

This small-scale fantasy is the first of five "Elemental Blessings" books, but stands alone. It does end up involving the politics and rulership of a country, but it's mostly the story of one woman, how her life changes after her father dies, and the relationships she has with the people she meets. It's got great characters and relationships, focuses on small but meaningful moments in a very pleasing manner, and has outstandingly original worldbuilding. Most of it is not set in court, and involves ordinary poor and middle-class people and settings. The vibe is reminiscent of early Robin McKinley.

Welce, the country it's set in, has two aspects which are crucial to both plot and character, and are interestingly intertwined. They may seem complicated when I explain them, but they're extremely easy to follow and remember in the actual book.

The first aspect is a system of elemental beliefs and magic, similar to a zodiac. The elements are water, air, fire, earth, and wood. Every person in the country is associated with one of those elements, which is linked with personality characteristics, aptitudes, aspects of the human body, and, occasionally, magic. This is all very detailed and cool - for instance, water is associated with blood, wood with bone, and so forth. We've all seen elemental systems before, but Shinn's is exceptionally well-done. The way the elemental system is entwined with everyday life is outstanding.

How do people know which element is theirs? Here's where we get to the second system, which I have never come across before. Temples, which are not dedicated to Gods but to the five elements, have barrels of blessings - coins marked with symbols representing blessings like intelligence, change, courage, joy, and so forth. Each blessing is associated with an element. People randomly pull coins for both very important and small occasions, to get a hint of what way they should take or, upon the birth of a child, to get three blessings that the child will keep for life. The blessings a child gets may or may not show their element - if they don't, it becomes clear over time based on personality.

The blessings are clearly genuinely magical and real, but often in subtle ways. I loved the blessings and the way they work into the story is incredibly cool. Same with the elements. Zoe's element is water, and her entire plot has a meandering quality which actually does feel like a water-plot, based on the qualities ascribed to water in the book.

I would recommend this to anyone who likes small-scale, character-based fantasy AND to anyone who likes cool magic systems or worldbuilding. It's not quite a cozy fantasy but it has a lot of cozy aspects. I can see myself re-reading this often.

There are five books, one for each element. I've since read the second book, Royal Airs. It's charming and enjoyable (and involves primitive airplanes, always a bonus) but doesn't quite have the same lightning in a bottle quality of Troubled Waters.

karanguni

It's here again! The hAPPy Birthday flash exchange is a super low-stakes flash to celebrate the autoao3app turning a year older.

The minimum word requirement is just 100, you can default with 0 penalty at any time, and signing up is ridiculously easy because you can just stick in the link to the app with all your previously requested fandoms under Creator's Choice of Previously Requested Fandom and walk away knowing that if you offer CCOPRF in turn only to find you can't write anything for your recip, you can just smash the default button guilt-free and browse the many, many CCOPRF fandoms for treat opportunities. We're sitting at over 2100 fandoms in CCOPRF (!) right now!

Signups close in less than 24 hours at 11pm US Eastern!

bjornwilde posting in

ways_back_room

What'cha been reading/watching/listening to?

petra

My household needs a new spatula.

Watch on YouTube

But actually we went to GIR.co because Spatula City doesn't have an outlet in our ~~state~~ ~~decade~~ timeline.

Current Mood: spatulate
Current Music: And what better way to say, "I love you"

Profile

ceitfianna

June 2025

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Page Summary

skygiants - (no subject)
umadoshi - Next-gen Fruits Basket fans
bjornwilde in ways_back_room - Tuesday DE
rachelmanija - The Disaster Days, by Rebecca Behrens
skygiants - (no subject)
splash_of_blue in ways_back_room - Monday DE: What's a-motto with you?
umadoshi - Weekly proof of life: mostly media
rachelmanija - Tiny House, Big Fix, by Gail Anderson-Dargatz
rachelmanija - Trapped, by Michael Northrop
petra - I'm not the world's most passionate guy - Community story, genderqueer Pierce Hawthorne
rachelmanija - Hominids, by Robert Sawyer
skygiants - (no subject)
chanter1944 - strange AO3 glitch
bjornwilde in ways_back_room - Thursday DE
rachelmanija - The Journey, by Joyce Carol Thomas
thebattycakes in ways_back_room - Wednesday DE: free fallin'
rachelmanija - Troubled Waters, by Sharon Shinn
karanguni - hAPPy Birthday 4 flash exchange
bjornwilde in ways_back_room - Tuesday DE: Canon Share
petra - Who ya gonna call?

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Style: Wisteria for Nouveau Oleanders by branchandroot
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Next-gen Fruits Basket fans

Tuesday DE

The Disaster Days, by Rebecca Behrens

(no subject)

Monday DE: What's a-motto with you?

Weekly proof of life: mostly media

Tiny House, Big Fix, by Gail Anderson-Dargatz

Trapped, by Michael Northrop

I'm not the world's most passionate guy - Community story, genderqueer Pierce Hawthorne

Hominids, by Robert Sawyer

(no subject)

strange AO3 glitch

Thursday DE

The Journey, by Joyce Carol Thomas

Wednesday DE: free fallin'

Troubled Waters, by Sharon Shinn

hAPPy Birthday 4 flash exchange

Tuesday DE: Canon Share

Who ya gonna call?

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June 2025

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